First Nations underwater cultural heritage under increasing scrutiny
09 September 2025
09 September 2025
While Aboriginal cultural heritage has been an area of focus for onshore project development for years, assessment of underwater cultural heritage (UCH) has only more recently become an important consideration for infrastructure projects in Australia's coastal and offshore waters.
In 2024, the Australian Government's Department of Climate Change, Energy, the Environment and Water (DCCEEW) released two documents that provide guidance to proponents on assessing underwater cultural heritage:
These guidelines are particularly relevant for projects where infrastructure will be placed at depths of up to 80 metres, such as offshore wind and some offshore gas projects, where underwater cultural heritage is most likely to exist.
Together, the UCH Guidelines and Draft First Nations UCH Guidelines provide guidance on assessing underwater cultural heritage that may be protected under the Underwater Cultural Heritage Act 2018 (Cth) (UCH Act). However, it appears that the Draft First Nations UCH Guidelines seek to retrofit the UCH Act to focus on First Nations underwater cultural heritage. This is a significant re-direction from the UCH Act's predecessor, the Historic Shipwrecks Act 1976 (Cth).
The UCH Act defines underwater cultural heritage relatively broadly – as any trace of human existence that (a) has a cultural, historical or archaeological character; and (b) is located under water. However, the UCH Act only provides protection to "protected underwater cultural heritage". This includes all remains of vessels and aircraft (and associated articles) that have been underwater in Australia for at least 75 years, and any other article of underwater cultural heritage in Commonwealth waters that the Minister has declared to be protected. As it stands, there are no declarations of protected First Nations underwater cultural heritage.
The Draft First Nations UCH Guidelines propose a minimum standard for archaeological assessment and management of First Nations underwater cultural heritage by recommending project proponents to carry out the following steps:
While the Draft First Nations UCH Guidelines seem useful in a field where there is much uncertainty, there is no legal hook into the UCH Act that would require compliance.
There are other legislative frameworks protecting First Nations underwater cultural heritage. The Draft First Nations UCH Guidelines are perhaps intended to set a "best practice" standard beyond the UCH Act.
The Environment Protection and Biodiversity Conservation Act 1999 (Cth) (EPBC Act) protects First Nations underwater cultural heritage in offshore areas as part of the marine environment, which is one of the nine matters of national environmental significance protected by the EPBC Act. Section 23 prohibits the following:
In theory, this prohibition extends to actions that have a significant impact on First Nations underwater cultural heritage in offshore areas because the definition of "environment" in the EPBC Act includes heritage values of places and cultural aspects of other limbs of the definition (e.g. cultural aspects of ecosystems and their constituent parts). The DCCEEW Significant Impact Guidelines indicate that referral is required if there is a real chance of a substantial adverse impact on heritage values in the Commonwealth marine area. While this threshold may not frequently be reached, it does mean that an assessment of impacts is required.
The Offshore Petroleum and Greenhouse Gas Storage Act 2006 (Cth) (OPGGS Act) and Offshore Electricity Infrastructure Act 2021 (Cth) (OEI Act) are the primary statutes regulating the offshore oil and gas and offshore wind industries respectively.
Under both legislative frameworks, project proponents are required to carry out consultation in relation to the impacts of their authorised project activities, which are addressed in "environment plans" (under the OPGGS Act) or "management plans" (under the OEI Act). In this context, it is possible that the Draft First Nations UCH Guidelines will be a reference point for offshore proponents consulting with Traditional Owners who raise underwater cultural heritage as an issue. For more about these regimes, see our Native Title Year in Review 2024-2025 article, "First Nations consultation requirements for offshore projects".
Protection of underwater cultural heritage is also possible under the Native Title Act 1993 (Cth) and Aboriginal and Torres Strait Islander Heritage Protection Act 1984 (Cth) (ATSIHP Act) as the application of these Acts extends to offshore waters.
Native title can be recognised in land and waters and there are determinations recognising native title over coastal waters across northern Australia.
Similarly, the ATSIHP Act can protect a site or object of particular significance to Aboriginal peoples occurring in any waters over the continental shelf of Australia or, as described by the Full Federal Court in Santos NA Barossa Pty Ltd v Tipakalippa [2022] FCAFC 193, "recognises the capacity for sea country, and its marine resources, to be 'of particular significance to [Aboriginal and Torres Strait Islander peoples] in accordance with Aboriginal tradition'". This is particularly important for offshore intangible cultural heritage, such as a song line located offshore that has cultural significance for Aboriginal people living onshore but is not a "trace of human existence" capable of being declared by the Minister as protected under the UCH Act.
State and Territory legislative frameworks may also apply, particularly to those parts of an offshore project that traverse coastal waters. Each State and Territory has its own specific Aboriginal heritage framework, some of which extend to protecting cultural heritage in the seabed. A summary of the scope of State and Territory heritage legislation is provided in our Native Title Year in Review 2022-2023 article, “First Nations underwater cultural heritage – no longer a submerged issue”.
State and Territory environmental assessment processes may also require consultation with Traditional Owners, in which the Draft First Nations UCH Guidelines may be held up as "best practice" where First Nations underwater cultural heritage is a relevant consideration. However, it perhaps may be regarded as too onerous for work of the scale that often occurs nearshore.
In Victoria, First Nations underwater cultural heritage has been identified in Environment Effects Statement for major projects for several years. See for example the EES scoping requirements for the Star of the South Offshore Wind Farm, Marinus Link Undersea Transmission Cable and Viva Energy Gas Import Terminal, which all require assessment of "potential for adverse effects on … underwater Aboriginal cultural heritage" as part of an overarching heritage assessment.
Identification and protection of offshore UCH is now an element of impact assessment for large scale sea-based projects. This work is a lot less familiar than onshore heritage assessments, which makes the Draft First Nations UCH Guidelines potentially useful beyond their origin in the rather limited UCH Act. It is important to plan ahead and engage early with Traditional Owners about both on- and off-shore components of a project. The location of songlines or other intangible heritage places should ideally be identified at the time of site selection. Although there is no comprehensive regime for the protection of UCH, the patchwork comes together to provide meaningful protection. The work needs to be done for the sake of sea country and for sake of efficient project delivery.
The information provided is not intended to be a comprehensive review of all developments in the law and practice, or to cover all aspects of those referred to.
Readers should take legal advice before applying it to specific issues or transactions.